A Cautionary Tale

I am writing this post as cautionary tale to fellow artists. I hope that is serves as a lesson to be learned through me and not one to be experienced in their own work. Every now and again I'm reminded of my lesson when I'm riding down the road and I see a "for sale" sign. Or I'm watching TV and I see the commercial. I try to get over it but each time I see anything related to the mural I did for a very well known local Real Estate Agent, I feel like I've just been slapped in the face.

Here's my story...

Back in 2009 I painted a mural of a map of Maryland with roadways and significant towns and cities for the office of this Real Estate Agent. They wanted something to show clients where their house would be in relation to their work. In designing the mural, I drew out the shape of the state, complete with each county, significant towns, and placed a Maryland flag in the background. I wanted to add something that was unique to the Real Estate Agent's company and take up the "dead" space in the lower left area where West Virginia and Virgina usually are.  I decided to add a compass rose, being it a map and all, I thought it appropriate. I researched different designs and composed a compass rose that would compliment my design.  I placed the Real Estate Agent's initials in the center of the compass rose. I presented my design to the Real Estate Agent's wife and she like it. Just change out the blues (I had originally included blues because their website had the color.)

I installed it with the help of my amazing paper hanger.  I got paid for my work and that was that.

A few months later, I am at a meeting and I see the compass rose on some give-away pint glasses.  Hmm, I thought..not sure how to comprehend. I took a glass and put it in my bag.  Then I started seeing my compass rose, the one I designed for the mural, all over the place...on ads, on signs, on brochures, on commercials, on everything! Needless to say I was dumbfounded.  And angry!

I talked it over with my family and some fellow artists. I did research on copyright law.  I decided to write a letter. It was responded to by his lawyer.  "You can't copyright a compass rose." I then got my lawyer involved.  I didn't want to go there but anyway.  The image was clearly taken from my mural and wasn't in use before the mural's execution.  The composition, colors (well, the initials were black instead of red) were IDENTICAL.  In educating myself about copyright law and art, I learned that ANYTIME an artist touches pencil (or brush) to paper, that work instantly is covered by copyright. Here is a good explanation. But, come to find out, because I had not registered my mural with the copyright office and had a clause in my contract that all of my work is owned by me, I stood little chance in court to come out with any money left in my pocket.  See, even though as an artist I owned the copyright to my work, I didn't bring it up within 3 months of discovering the theft.  If I had, I would have been able to recoup all of my court costs if I were to have won. But because the amount of money it would take to take the Real Estate Agent to court far outweighed the piddly amount of money I had asked for in compensation, it wasn't in my favor. I still could, it would just bankrupt me. I'd be out more money than what I was trying to get.

So...lesson learned. I have put things in place so that I am protected and have learned what my rights are.

Next time you see that compass rose, smile and say "Gee, what nice work, Dee!"

Oh, how I wish there was more time in a day!

Warning: this is a rambling post, just to get some stuff off my mind.... Its not too long ago that I was worried that I would never be able to make it as a decorative artist.  When I quit my teaching gig in 2008 little did I know that the economy was going to take a nose dive. Talk about bad timing!  Now it seems I don't know how to keep up. Deadlines push my days along and I have to remind myself how lucky I am that Im able to do what I love day in and day out.  Don't get me wrong, I love painting, but it seems that I get overwhelmed and wonder how I'm going to "get this project finished quick enough" rather than enjoying the ride.  Summer seems half way over already (I always feel that the Fourth of July is the height of summer and its down hill to Labor Day) and I haven't been able to enjoy it.

I was lamenting the other day about how recently I've had to disappoint some clients because I can't meet their schedules because of how much work I have.  I take things very personally and want to please everyone.  I feel horrible when I hear "oh, that won't work. We have to have it done by xyz." I look at my calendar every which way and wish I could add a day here, move that there...but then that would mean I'd have to grow two more arms!

I've tossed the idea around about hiring help.  The problem is I'm a Perfectionist.  I guess it comes from my Grandma Lenehan.  Passed down from her to my dad to me. I can't trust someone else to do something well enough and have to go back and check their work. Is there therapy for that? Oh wait, I don't have time to go to therapy.

When I opened the studio I had grand plans for its use.  Workshops, rental space for fellow artists, open studio weekends, presentations, etc etc.  I've had to cancel the latest presentation because I was pulling 10 hour days on a project and had zero time to prepare.  I've also had grand plans for this blog. I just don't have enough of me to go around.

Perhaps its time to let go of a little and allow someone to help out.  Or I may be trying to rush things along.  Whenever I get an idea in my head its go-go-go on it.  Trouble is I have 10 ideas and I want to go-go-go on all of them at the same time. If only I could let things happen in their time. If anyone out there reading this is a recovering Perfectionist feel free to offer some advice!

So here are some photos of what I've been buried in the last few weeks. Thanks for listening!

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Two paintings (7'x9') The beams were woodgrained previously.

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Medallion: done with a Modello stencil , Proceed metallic plasters, glass bead gel, and Swarovski crystals.

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Woodgrained beams and glazed walls.

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Before

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Plaster with glaze

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French Lessons - Part 3

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The final installment!So I will try to sum up the last bit of our trip to France in this post.  We left off with our visit to the Chateau of Versailles.  The next day we began painting the marbles at the bottom of the panel.  The marbles in the panel are direct references to what they used in the palace. Green Campan and Sarrancolin.  My favorite is the Sarrancolin.  Something about the bold rusty red and grey/white strikes me.  Pierre talked about how marbles are quarried and used in decoration, how they are cut; pass cut vs. cross cut, etc.  It was the hardest part of the panel for me to execute.  To make it look "natural" you have to be conscious to not create 45' angles with the veins, and to make everything random.  Since it was such a new marble to me and we didn't have reference photos to work from I had to rely on the demonstration by Pierre and sorta "wing it." Pierre was very helpful to everyone, walking around and assisting those of us struggling.What really surprised me was how much faux there was in the palace.  And same with the Louvre. I didn't realize that before the Louvre was a museum it was the original palace of the king before they moved out to Versailles.  (Perhaps I shouldn't have fallen asleep in Art in the Dark in college?) Because of the number of rulers that lived there, there are many examples of faux marble and woodgraining because each successive occupant would paint over what was there instead of ripping out and replacing elements.  Thus they would paint over one type of marble with another to suit the tastes of that particular period. This is Pierre discussing with Mike how the marble here was painted over with a new type. The Louvre also seems to go on forever.  When we arrived, we entered in the lower level and we could see what was the original foundation of the fortress built in the 12th century. Every monarch since then would put his own stamp on the building by adding on and redecorating.

The morning of the Louvre tour, Pierre met us at the Notre Dame and took us on a foot tour of the areas within the 1st arrondissement.  Everywhere we looked there were beautiful things.  We walked into a church (I can't even remember which one) to see beautiful marbles, paintings, gilding, and more.  We also took a walk around the galerie de montpensier and fogged the windows at the cafe Le Grand Vefour where there were incredible paintings of grottescas and decorative elements.

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A little Bawlmer in Paris!

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Faux Bois on the streets

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Store that has beautiful decorative painting. Randomly came across it on our walk.

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Metro entrance

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Walking through the galleries of the Grand Hotel du Palais Royal

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A beautiful scene in a church...

We made it to the Louvre around lunchtime and spent the afternoon going through various areas of the museum; the Apartments of Napoleon III, the Grand Gallery, and other areas I can now not remember their names!

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Dee meets Mona

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Meet getting to meet "Mona".

Here are a few images of our little B&B "Villa Versailles" which I highly recommend.  Vanessa, the owner, is extremely accommodating and brought us homemade treats.  She speaks English (whew!) and she has a dachshund named Elvis who only speaks French.

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View out our front door to the courtyard.Our KitchenetteThis is looking out of the school across the parking lot to our place. Its the small building with the vines all over it.

One evening a friend of Pierre came to demonstrate water gilding.  I got to try my hand at it, it is so very delicate.  You can read more on Pierre's blog.

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Our final dinner was at a restaurant in Versailles.  The food was incredible and dogs are allowed! Apparently the French are huge dog lovers and the idea of not being able to bring your dog into a restaurant is unfathomable. We were all presented certificates of completion signed by both Jean and Pierre.  Everyone came up one at a time for a photo op.  I took the opportunity to get a kiss on the cheek like a Tour De France stage winner does from the podium girls :).

It was a trip of a lifetime and we were sad to go but happy to get back to our boys and our king size bed :).

French Lessons - Part 2

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Class started on Friday. I was glad to have had two days to acclimate to the time change and get to know the neighborhood. Class started off at a fast pace and only grew faster.

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We began with finalizing the drawing that was pounced on our panels previously. Jean discussed the "Chromatic Link", a secret and ancient method of unifying all of the elements that will be painted within the canvas.  Actually its just toning the canvas.  No secrets. Then we added layers of glazes to create the look of limestone, the material in which the entire niche is constructed. After Jean demonstrated the technique, we laid in the foundation for the ornament above the niche and moved to the background color for the urn.  The marble panels at the bottom would come later, taught by Pierre. Then a discussion of how light affects shadows and how forms dictate their shape.

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Jeannie!

My buddy Jeannie from Long Island decided to make the trip last minute, and thank goodness, it wouldn't have been the same with out her.  Tre Drole! Lots of wine, baguettes, croissants, and many other French delicacies were shared. The class was full of students from around the world; Taiwan, France, Israel, US, (and California :)) a true "UN of painting!"

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Wine at lunch!

Lunch was on our own and many people either brought food or went out and grabbed some to bring back.  One day, Maddie's husband Frank bought sandwiches for everyone! There was always goodies to be had that people would bring to share, croissants, chocolates, and treats. Great conversations around the lunch table.

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Dinner at "Cafe Aux Crepes" with some students

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Gates at Chateau

The third day we were guided by Pierre and Jean Luc on a tour of the Palace of Versailles which included the Chateau, the Grand Trianon, the Petit Trianon, and the Queen's Hamlet. I believe the word is gobsmacked.  I literally couldn't believe what I was seeing. Beautiful gilding, marbles, trompe loeil... And surprisingly, a lot of the marbles were painted!  Even the King had a budget! Every last inch of the place was decorated.  We were treated to an unconventional tour where our "guides" pointed out details of the decorations that would not normally be on the tour.  You can read some of what we learned on Pierre Finkelstein's blog.

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On our way to the Chateau

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Pierre and Mikey, aka, the Crazy Frenchman and "le Stupide Américain"

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The famous Hall of Mirrors

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The War Room

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Amazing Trompe L'oeil (look closely at the gilded moldings.  Where the figure crosses the molding, the area is flat and has been painted and gilded to create the 3D effect.)

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More beautiful marbles, marquetry, gilding, and murals.

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The king's bedroom

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Marie Antoinette's bedchamber

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Some examples of faux marbre:

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Grand Trianon

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Rebecca, myself, and Jeannie

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Beautiful painted armoire holding china in the Petit Trianon

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Marie Antoinette's bedroom in the Petit Trianon

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Even the queen has to go sometimes!

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View from the queen's bedroom at the Petit Trianon

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Queen's dressing room.  The wall panels raise and lower for privacy.

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The group

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Petit Trianon exterior

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Interior of the Belvedere.  Look at those grottescas and ceiling!!

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Belvedere and Grotto

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Some of the sheep that reside on the grounds at Versailles.

I could go on and on!  Check out more images in my gallery on my facebook page

Up next, "French Lessons - Part 3: Mike's Adventures on the Bike"

French Lessons - Part 1

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I have been back for a week and already I feel it was a dream that I was in France. I had the opportunity to take a class with world renowned decorative arts professionals Pierre Finkelstein and Jean Luc Sable at Ecole Sable in Versailles, France.  Yes, I said Versailles.  <sigh>.  And it was amazing.  Mike came with me, he wasn't going to pass up an opportunity to travel to one of the cycling meccas of the world, even if it was in March.  We flew out of Dulles outside of Washington DC on the 4th of March replete with our necessities: painting materials, guidebooks, and Mike's bike in a box.  Yep.  Mike brought his bike.  Does that surprise you? Me neither.

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Day One:

We flew into Charles De Gaulle Airport and took the RER across town to our little place I rented in Versaille.  It was an ordeal to say the least.  We didn't realize that we had to steel our jet lagged ears against singing and accordion playing gypsies, traipse up and down stairs trying to change trains, hoist our gear up into the train and race against the closing doors that will NOT reopen...not to mention the 1/4 mile hike from the train station to our place once we arrived at Versailles.  All with our luggage.  And Mike's bike box. But we made it 13 hours after we left Dulles at 6pm the night before.

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We had two days before class started so that we could explore the town of Versailles and Paris.  The day we arrived (after we recovered from our train ride) we had a bite to eat at a restaurant a block from our place and then walked around the town of Versailles and were in awe of the magnitude of opulence that is the 'Chateau'. We had dinner that evening in Versailles at Chez Lazare, where they spoke English! Tres Bien!

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Day Two:

The next day we went into Paris and followed "Rick Steve's Historic Paris Walk" which started us at Notre Dame then around to the Latin Quarter.  We deviated and took a side trip to the Pantheon and then returned to Saint Chapelle and the Concierge (which was closed.)

Notre Dame: I remember learning about these "flying buttresses" in art history class.

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Medieval Paris

Saint Severin

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Pantheon:

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Saint Chapelle:

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Concierge

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Le Metro

Day Three:

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The third day we went back to Paris and headed straight for the Place de la Concord and walked up the Champs Elysees to the Arc de Triomph.  Mikey was in his element.  It was really cool seeing all of these landmarks up close and in person.Pont Alexandre III

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Here Mike is standing in the gutter on the Champs Elysees. Next time you watch the final stage of the tour, keep an eye on when they ride this stretch.  Since its the smoothest part of the street cyclists fight to get a part of the gutter which is only about 16-18 inches wide. And they go about 30 mph.  We then walked over to the Eiffel Tower and then back to the Musee de Arts Decoratif.

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Up next: Class starts and Mikey goes on his own "Tour de France"

To be continued!