Abe

2012-10-29_10-42-10_837

2012-10-29_10-42-10_837

With all the hub-ub about the Lincoln movie, I thought I would share a fun little project I did for designer Wendy Appleby as a gift to her brother...

His three favorite things are Abraham Lincoln, the Boston Red Sox, and his local daily paper the "Jackson Hole Daily"

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Wendy's daughter recently was married by Wendy's brother who became ordained for the sole purpose of officiating the ceremony.  As a thank you Wendy and her family had me paint the hat and paper over top of a print of Lincoln.

I even had Mikey pose for me.

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Thanks Mikey :)

Pret-a-Papier at Hillwood Estate

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I often see announcements for exhibits and plan to make time to go but forget amidst the chaos of work and life.  I happened to re-read a recent issue of Veranda and came across a blurb about an exhibit at the Hillwood Estate in DC that combined paints, paper, and fashion.  I had never heard of Hillwood but upon further research realized it was the estate of Marjorie Merriweather Post.  (In my head – “Duh! Merriweather Post Pavillion!“– The place where in high school I hopped the fence to many a concert…  Until it changed owners and a huge berm and two barbed wire fences were erected, oh, and a highway transected my pathway to the venue. Hmph!) But I digress… The exhibit was of the works of artist Isabelle De Borchgrave of Brussels.  She creates fashions out of paint and paper.  I was skeptical until I looked up the Atelier and was blown away and the detail and realism she has realized with paper.  The exhibit was to close in early January so I had to go and with Christmas break around the corner I had some time to play with.

So I passed the idea by Mike and gave him the right of first refusal.  Secretly I wanted him to say no because I think my mom would LOVE to see this since she sews and would appreciate both the methods as well as the construction of the pieces. I think he knew that and so I asked my mom and of course she wanted to go.

I just have to say first what a treasure the Hillwood Estate is, and how ignorant I feel for not knowing about its existence.  The home is filled with Mrs. Post’s collection of French porcelain and Russian liturgical artifacts and Relics that were to end up melted down by the Russian government after the Revolution.

Oh but the paper, it was simply stunning!  It was mind-blowing how Borchgrave manipulated paper and paints to replicate fabrics like silk, brocade, trims, precious gems, and metals.

Detail of Dress in the style of Empress Josephine shown above:

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Fortuny Inspired Dresses:

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Marie Antoinette:

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Polonaise Dress:

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"Robe a l'Anglaise" detail:

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Dress inspired by the paintings of Jean-Antoinne Watteau

Pierrot Jacket and Petticoat:

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Russian Traditional Dress inspired by the painting of the Wedding behind it:

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Countess Samoilova:

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French Drawing Room:

You can see more about the exhibit here, http://www.hillwoodmuseum.org/whats/exhibitions/pr%25C3%25AAt-%25C3%25A0-papier

More about Isabelle De Borchgrave and her Atelier: http://www.isabelledeborchgrave.com/en_home.php

365 sketches

Finally getting up and moving after nursing a throbbing head all day.  I swore that I wasn't going to stay out past 10pm last night and what do I do but stay out till 1 am. I think today should be officially designated "Hangover Day". Luckily I didn't have anything to do today and indulged in a rare activity for myself- doing nothing. I did watch "It Might Get Loud" which was really good. I recommend it. Anyway, I just finished dinner and was perusing my usual websites, one being the Faux Forum. A member, Marge Cameron, posted about something that I've recently been wanting to do. More sketches. She has committed to doing 365 sketches this year. One a day.  Now Im not sure if I could follow that regimen but I've been wanting to get back to my sketching because although I paint every day I don't draw every day. Does that make sense? I loved to draw in my sketchbook growing up.  I did it when I was bored, inspired, whatever.  I was never that good at drawing out of my head. I was always better at observational drawing.

It started this past week when I was bored and decided to dig into a box of radio parts I borrowed from my dad when I was struck with inspiration when Lori was here. I took out a radio tube, sat it on my desk and drew it. It took me about 1 and 1/2 hours to complete it, the layout being the hardest.  I felt really rusty but once I got going it was so much fun. I'm not sure about where this is going but I think for now Ill settle in to doing a pencil drawing of each item and then go from there.

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(the angle makes the tube look lopsided, but its not.)

The next sketch I started was this Acanthus Leaf in one of my Dover books.  I really suck at leaves and frilly things so I figured I would try to tackle it freehand, no tracing or tools like compasses or rulers.  This one has taken two tries and I've worked on it in several short sittings because I get frustrated.  So perhaps instead of doing a sketch per day, Ill resolve to sketch each day and see where that goes. I've also looked at other artists' blogs where they do a painting a day. This one I especially like: Postcards From Detroit. Now that is commitment.

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I may not get any sketching in tonight, still a little woosy from the previous night but maybe tomorrow.

Thanks Marge for the push! Marge Cameron's Blog

Happy New Year!

Update: 1-13-13

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2013-01-03_18-56-50_228

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2013-01-12_21-28-23_301

Second Round

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A year ago I worked with the same client who had me complete a plethora of work for them.  This year I'm back for round two.  Previously I had painted columns, applied metallic plaster, and done some artwork for the children's rooms:

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This time, we focused on artwork for the stairwells and some for the master bedroom.  I also was asked to add to the children's room.  My last post I showed you how a painting evolves form a sketch to a final work.  That was for this client. Here are the other pieces for which I was commissioned. Hope you enjoy!

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cloud mural large

cloud mural large

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tryptic

tryptic

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sitting room

sitting room

And...

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Evolution of a Painting

fountain with tree

fountain with tree

A painting starts with a series of sketches.  To get to this point there are several hours of research, designing, discussions with the client, revisions, then final approval.  Sometimes the sketch is done in color. For this piece, we had images of stone that we selected for age, color and patina.

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I usually start with an underpainting of values to help create the depth before adding color. This also helps with getting to the right value without a ton of paint. I don't always do this, but for Trompe L'oeil it helps me see the dimension and establish light and shadow placement.

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Next I add the tones of the stone.  I premix my main colors and tweak them on the palette as I go.  This piece has a lot of warm shadows and cool highlights.  You can also see my reference material.  I spend countless hours searching for the right references.  Without them, I am unable to really replicate the natural qualities of the material.

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Once the main areas are blocked in, I like to go back and tweak areas to make sure its cohesive.  The center will have a very specific image that will look like a bas relief carving.  I shot reference photos, including Mike's hands pouring water.  The water in the carving was the most difficult. I wanted it to look fluid but at the same time it had to be "carved" out of the stone.

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The final piece, varnished before cutting and installation. You can see the pitting and cracking that I added for authenticity.

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Installation was done by Shelly Wilkins of Walls Etc.

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And the final result:

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Tada!

I added shadowing on the wall once it was installed.

A note on canvas installation vs painting on site...

I really prefer to paint on canvas to painting on site for several reasons.  It allows me to paint in the comfort of my studio, and the client doesn't have to put up with me for the weeks it takes to do the work.  It also allows the painting to become transportable.  In the case of a move, it is very easily taken down with some warm soapy water.  The investment is not left behind! Its great for kids rooms too.

The art of painting on canvas and adhering it to the wall is a 3000 year old method referred to as "marouflage." You can learn more about the technique here.

Some public examples of this type of work can be seen at the Library of Congress, The Capitol Building, the Biltmore Estate, and countless others.