Spring? Where are you??

If you're like me, you are going batty trying to endure the last vestiges of this epic winter. Mother nature is such a tease! Apparently she's giving us one more wallop tonight. Oy vey! To hopefully encourage the coming of spring, I've shared a bit of warmth and light with few past projects that I did that are nature inspired. There are many more in my portfolio.

Enjoy!

Sun through the Trees

Sun through the Trees

garden door

garden door

Garden Doorway (mural on canvas)

Safari Bedroom

Safari Bedroom

Safari Bedroom

Safari Bedroom

Straughan Environmental

Straughan Environmental

Straughan Environmental

Straughan Environmental

Straughan Environmental

Straughan Environmental

Straughan Environmental

Straughan Environmental

Straughan Environmental

Straughan Environmental

Straughan Environmental

Straughan Environmental

Straughan Environmental

Straughan Environmental

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ecmuralsmall

Main Street Ellicott City (prints available)

Airplane Bathroom

Airplane Bathroom

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Girl's Bedroom

MD State Police Dept of Corrections Training Facility Mural

MD State Police Dept of Corrections Training Facility Mural

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Modern Chinoiserie Mural

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One Step Closer

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A few years ago I traveled to Atlanta to be a spectator at the annual "Salon." Salon is "a gathering of dedicated decorative painters from around the world coming together to exhibit their work and discuss old and new techniques, products, and information in the field."   Every year it is hosted by a different member in that person's country. Since Atlanta, it has been hosted in Hamburg, Germany and last year it was in Tokyo. This year's Salon will be in Seattle.  I was curious about the group so when I heard that it was going to be relatively close to me I decided to check it out.

When I visited Salon in Atlanta I was amazed at the breadth of talent that was on display. Members traveled from across the globe to in order to come together in the name of decorative art. Members have expertise in the traditional decorative arts such as faux marbre (marbleizing) faux bois (woodgraining), gilding, trompe l'oeil, and ornamentation.

group panel salon 2011

group panel salon 2011

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Unlike other groups, to become a member, you have to be juried in. I decided that I would apply for membership but was sure that I wouldn't be accepted because this group is the best of the best! Well, I submitted my portfolio to this year's host and was accepted to participate! I was floored! Participation in this event has been on my list of professional goals for a few years now. The next step is to plan and paint a panel that will be exhibited along side my mentors and peers.  Talk about setting the bar high!

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A Cautionary Tale

I am writing this post as cautionary tale to fellow artists. I hope that is serves as a lesson to be learned through me and not one to be experienced in their own work. Every now and again I'm reminded of my lesson when I'm riding down the road and I see a "for sale" sign. Or I'm watching TV and I see the commercial. I try to get over it but each time I see anything related to the mural I did for a very well known local Real Estate Agent, I feel like I've just been slapped in the face.

Here's my story...

Back in 2009 I painted a mural of a map of Maryland with roadways and significant towns and cities for the office of this Real Estate Agent. They wanted something to show clients where their house would be in relation to their work. In designing the mural, I drew out the shape of the state, complete with each county, significant towns, and placed a Maryland flag in the background. I wanted to add something that was unique to the Real Estate Agent's company and take up the "dead" space in the lower left area where West Virginia and Virgina usually are.  I decided to add a compass rose, being it a map and all, I thought it appropriate. I researched different designs and composed a compass rose that would compliment my design.  I placed the Real Estate Agent's initials in the center of the compass rose. I presented my design to the Real Estate Agent's wife and she like it. Just change out the blues (I had originally included blues because their website had the color.)

I installed it with the help of my amazing paper hanger.  I got paid for my work and that was that.

A few months later, I am at a meeting and I see the compass rose on some give-away pint glasses.  Hmm, I thought..not sure how to comprehend. I took a glass and put it in my bag.  Then I started seeing my compass rose, the one I designed for the mural, all over the place...on ads, on signs, on brochures, on commercials, on everything! Needless to say I was dumbfounded.  And angry!

I talked it over with my family and some fellow artists. I did research on copyright law.  I decided to write a letter. It was responded to by his lawyer.  "You can't copyright a compass rose." I then got my lawyer involved.  I didn't want to go there but anyway.  The image was clearly taken from my mural and wasn't in use before the mural's execution.  The composition, colors (well, the initials were black instead of red) were IDENTICAL.  In educating myself about copyright law and art, I learned that ANYTIME an artist touches pencil (or brush) to paper, that work instantly is covered by copyright. Here is a good explanation. But, come to find out, because I had not registered my mural with the copyright office and had a clause in my contract that all of my work is owned by me, I stood little chance in court to come out with any money left in my pocket.  See, even though as an artist I owned the copyright to my work, I didn't bring it up within 3 months of discovering the theft.  If I had, I would have been able to recoup all of my court costs if I were to have won. But because the amount of money it would take to take the Real Estate Agent to court far outweighed the piddly amount of money I had asked for in compensation, it wasn't in my favor. I still could, it would just bankrupt me. I'd be out more money than what I was trying to get.

So...lesson learned. I have put things in place so that I am protected and have learned what my rights are.

Next time you see that compass rose, smile and say "Gee, what nice work, Dee!"

Oh, how I wish there was more time in a day!

Warning: this is a rambling post, just to get some stuff off my mind.... Its not too long ago that I was worried that I would never be able to make it as a decorative artist.  When I quit my teaching gig in 2008 little did I know that the economy was going to take a nose dive. Talk about bad timing!  Now it seems I don't know how to keep up. Deadlines push my days along and I have to remind myself how lucky I am that Im able to do what I love day in and day out.  Don't get me wrong, I love painting, but it seems that I get overwhelmed and wonder how I'm going to "get this project finished quick enough" rather than enjoying the ride.  Summer seems half way over already (I always feel that the Fourth of July is the height of summer and its down hill to Labor Day) and I haven't been able to enjoy it.

I was lamenting the other day about how recently I've had to disappoint some clients because I can't meet their schedules because of how much work I have.  I take things very personally and want to please everyone.  I feel horrible when I hear "oh, that won't work. We have to have it done by xyz." I look at my calendar every which way and wish I could add a day here, move that there...but then that would mean I'd have to grow two more arms!

I've tossed the idea around about hiring help.  The problem is I'm a Perfectionist.  I guess it comes from my Grandma Lenehan.  Passed down from her to my dad to me. I can't trust someone else to do something well enough and have to go back and check their work. Is there therapy for that? Oh wait, I don't have time to go to therapy.

When I opened the studio I had grand plans for its use.  Workshops, rental space for fellow artists, open studio weekends, presentations, etc etc.  I've had to cancel the latest presentation because I was pulling 10 hour days on a project and had zero time to prepare.  I've also had grand plans for this blog. I just don't have enough of me to go around.

Perhaps its time to let go of a little and allow someone to help out.  Or I may be trying to rush things along.  Whenever I get an idea in my head its go-go-go on it.  Trouble is I have 10 ideas and I want to go-go-go on all of them at the same time. If only I could let things happen in their time. If anyone out there reading this is a recovering Perfectionist feel free to offer some advice!

So here are some photos of what I've been buried in the last few weeks. Thanks for listening!

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Two paintings (7'x9') The beams were woodgrained previously.

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Medallion: done with a Modello stencil , Proceed metallic plasters, glass bead gel, and Swarovski crystals.

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Woodgrained beams and glazed walls.

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Before

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Plaster with glaze

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French Lessons - Part 3

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The final installment!So I will try to sum up the last bit of our trip to France in this post.  We left off with our visit to the Chateau of Versailles.  The next day we began painting the marbles at the bottom of the panel.  The marbles in the panel are direct references to what they used in the palace. Green Campan and Sarrancolin.  My favorite is the Sarrancolin.  Something about the bold rusty red and grey/white strikes me.  Pierre talked about how marbles are quarried and used in decoration, how they are cut; pass cut vs. cross cut, etc.  It was the hardest part of the panel for me to execute.  To make it look "natural" you have to be conscious to not create 45' angles with the veins, and to make everything random.  Since it was such a new marble to me and we didn't have reference photos to work from I had to rely on the demonstration by Pierre and sorta "wing it." Pierre was very helpful to everyone, walking around and assisting those of us struggling.What really surprised me was how much faux there was in the palace.  And same with the Louvre. I didn't realize that before the Louvre was a museum it was the original palace of the king before they moved out to Versailles.  (Perhaps I shouldn't have fallen asleep in Art in the Dark in college?) Because of the number of rulers that lived there, there are many examples of faux marble and woodgraining because each successive occupant would paint over what was there instead of ripping out and replacing elements.  Thus they would paint over one type of marble with another to suit the tastes of that particular period. This is Pierre discussing with Mike how the marble here was painted over with a new type. The Louvre also seems to go on forever.  When we arrived, we entered in the lower level and we could see what was the original foundation of the fortress built in the 12th century. Every monarch since then would put his own stamp on the building by adding on and redecorating.

The morning of the Louvre tour, Pierre met us at the Notre Dame and took us on a foot tour of the areas within the 1st arrondissement.  Everywhere we looked there were beautiful things.  We walked into a church (I can't even remember which one) to see beautiful marbles, paintings, gilding, and more.  We also took a walk around the galerie de montpensier and fogged the windows at the cafe Le Grand Vefour where there were incredible paintings of grottescas and decorative elements.

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A little Bawlmer in Paris!

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Faux Bois on the streets

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Store that has beautiful decorative painting. Randomly came across it on our walk.

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Metro entrance

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Walking through the galleries of the Grand Hotel du Palais Royal

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A beautiful scene in a church...

We made it to the Louvre around lunchtime and spent the afternoon going through various areas of the museum; the Apartments of Napoleon III, the Grand Gallery, and other areas I can now not remember their names!

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Dee meets Mona

Dee meets Mona

Meet getting to meet "Mona".

Here are a few images of our little B&B "Villa Versailles" which I highly recommend.  Vanessa, the owner, is extremely accommodating and brought us homemade treats.  She speaks English (whew!) and she has a dachshund named Elvis who only speaks French.

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View out our front door to the courtyard.Our KitchenetteThis is looking out of the school across the parking lot to our place. Its the small building with the vines all over it.

One evening a friend of Pierre came to demonstrate water gilding.  I got to try my hand at it, it is so very delicate.  You can read more on Pierre's blog.

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Our final dinner was at a restaurant in Versailles.  The food was incredible and dogs are allowed! Apparently the French are huge dog lovers and the idea of not being able to bring your dog into a restaurant is unfathomable. We were all presented certificates of completion signed by both Jean and Pierre.  Everyone came up one at a time for a photo op.  I took the opportunity to get a kiss on the cheek like a Tour De France stage winner does from the podium girls :).

It was a trip of a lifetime and we were sad to go but happy to get back to our boys and our king size bed :).